Tuesday, July 5, 2011

It's time to tell about these tales

Everyone, I completed the first of my world travels in the form of a mission trip, and it was wonderful. For those of you who supported me in the form of prayer and finances and encouragement and advice, I want to do my best to let you know what you did and what you were a part of. Thanks to everyone who contributed, I wish you could know the full extent of what you did, but hopefully this little bit will help.

June 23rd, day 1: We flew out of Jackson to Houston, barely made it on the plane to Tegucigalpa where we arrived at midday sometime (I never had a watch on me). We got to the home of Luis Sorto and his family and were served the first of the most wonderful meals before we went to meet the kids and play soccer. Well, they played soccer. I watched. And the Americans suck. They were no match for ten-year-old Honduran boys.

Everything here was as beautiful as I knew it would be. Before we go any further, let me let you in on who I am. I have always believed that I was meant to spend a time in my life as a nomad of sorts. A world traveler. During these unattached years of my life, I have this constant itch to get out. When I do, usually in the form of road trips with someone I'm related to or best friends with, I always felt the sigh of relief when I returned to my home and my bed because towards the end of the journey I felt a pull back to that place. This time I did not. I love you all immensely, but for the first time, I felt no urge to come back. When I got back, I missed everybody and was glad to be back, but I felt no sigh of relief. This was my first time in a plane, and I was a tad bit nervous getting on that first flight, but it all disappeared immediately. I was meant to do this. I was meant to travel, whatever the purpose. Deep in my heart, I have this dream and desire that I've had for as long as I can remember that involves a front porch and a swing and kids everywhere, kids that belong to me. But a time for everything, right? Anyway, so all that to say that I really did know it was going to be beautiful. I knew that wherever we ended up, I was going to love it because I was meant to do this.

The drive from the airport in Tegucigalpa to Luis's home in Zambrano was crazy, as all Latin American driving is, apparently. I was glad I was so tired I slept the whole way. That was the last time that happened, however, as the bumpy terrain's influence on my tummy did not allow me to sit past the front seat of this 16ish passenger van for the remainder of the trip.

Luis's home was truly a home, and they only made us feel like we belonged. My only objection was the plumbing, and I was grateful when getting back to the States that I didn't have to put the toilet paper in the trash can anymore. And another objection was to me that I didn't know Spanish. How I regretted it. There is nothing worse than having this strong desire to express yourself in the form of communication to these children and to have a language barrier. But they knew no strangers, and they fell in love with everyone, especially Len and Chelvis.

June 24th day 2: We went to a nearby house that Luis was building for someone, and we mixed concrete to lay a floor for the house. This time I really do mean "we" because I picked up that shovel. We had to carry water in 5 gallon buckets from a well at the bottom of the hill and it was heavy. The mixing was probably the easiest, except after a while, Luis told us that two Hondurans would take care of it when it was time for mixing, because two Hondurans could to what it took 8 Americans to do in the same time. Kind of sad, yes. That afternoon, we had our first VBS with the kids in Zambrano, that I led. The format for all these was a short story, some questions, a craft or game, then handing out a snack or something for them to take home. That night I played spades, and I needed my brother.

June 25th day 3: This was the busiest day in that Saturday is church day. We did a VBS that morning, some people helped to pack food bags to give away that afternoon. 500 people typically show up every week. Each of us took over specific areas for Luis and his family, such as the adults, teenage girls, teenage boys, and kids, while they each translated for us. Then we served a meal to everyone who came to the church service which was an interesting experience to say the least. Hectic, but interesting. That night, Luis told his story. He's a good storyteller. I love storytelling. I wish everyone could hear it, but I won't even begin to try to think I could do it justice.

June 26th day 4: We went to Tegucigalpa to the Valley of Angels for shopping, and it was really a neat place. Sort of a strip mall with outdoor markets. We learned how to watch out for the tourist-y places as those were the most expensive. But I got what I came for: coffee. It was fun, I'm glad we went. That afternoon was a marriage conference, and those of us who didn't do that went with Carolina (Luis's oldest, who coordinates the children's ministry) to hand out shoes to some older girls who are regular church attendees. It was a bit emotional to say the least. And now a trip to the back-story department: The day before, as Bo preached his sermon for the adults, he noticed (because he has eyes) that out of the 150+ adults in that room, maybe 5 of them were men. He asked Luis about this, and Luis says, "Well, you see a boy and a girl hold hands, and then you see a baby, and then you never see him again." And that's how it is with Honduran men. This caused Bo to want to tell these girls a thing or two about what they really deserved from God out of life. So after we gave them their shoes, Carolina encouraged him to say what he felt he needed to for these girls. It was beautiful.

June 27th day 5: We went to the village of Proteccion which was pretty high up there in the mountainous/hilly area. Very rocky, but positively gorgeous. We got to walk around a bit before Luis led some singing and then the kids went with us while the adults got to listen to a sermon. We did another VBS of sorts in the same format as we had done. Then when it was over, most of the others proceeded to play soccer with the kids in a field of cowpies. Because their cows and such run free. That afternoon we had nothing on the schedule, so we went on a hike of sorts to see this waterfall that Luis had heard of but never been to. It wasn't so much of a hike as it was a rock climb (or rock slide, it was for me at times). We ended up at the top of this waterfall, and there were some other Americans there jumping in the water and being American who told us we'd have to go down this really dangerous cliff to see that waterfall. So of course we went down this really dangerous cliff. I had never really done anything like that in my life, but oh my goodness, it was one of the most exhilarating, invigorating, refreshing things I had ever done. And then when we got to the bottom and look up to see this (at least) 200 foot water fall, it was so worth it.
Then that night we all stayed up late with our sunburned, aching bodies laughing and telling and listening to stories in loopy, spacy, caffeinated bliss.

June 28th day 6: We went to the village of El Espino, and did basically the same thing we did in Proteccion the day before, except we did not play soccer. This landscape was not as rocky, and there was a lot more agriculture and farmland nearby. We handed out food bags as we did the day before. And for some reason, I feel like I connected with these kids a little more than I had any others. It was a good morning. That afternoon, we did more food packing and a VBS back in Zambrano. Then that night, we did another VBS/church service for the Zambranians which I only made it halfway through before my allergies kicked in like a rock and made me ready to drop dead. That didn't last long, however. One Zyrtec, 2 ibuprofen, 3 cups of caffeine, and I was feeling much better and found myself awake and thoroughly entertained for the better portion of the evening. More loopy bliss, as I like to say. But that has always been my favorite setting. Some guitar in the background with lots of laughs and stories going around the room.

June 29th day 7: Last full day. Most of us went to another house to work on more concrete floors, while I and a few others got to go to the school to do a short Bible story, a song, some coloring and passing out a snack. We only spent an hour here, my shortest time in any spot so far, and there was a pull that I had not had before. For some reason, being in this place, this school, it affected me differently. My heart has always been in education and simply eliminating ignorance, so maybe that has something to do with it. I don't know. But I had a harder time leaving the school. "Knowledge is power" may be a strong statement, but if only everyone knew how many problems could be eliminated by simply educating people. I don't know. Perhaps it will be a while before I understand fully that feeling I had.
That afternoon, we walked around Zambrano for a bit before we played with the kids one last time. Saying goodbye wasn't easy. But I hope it's not for good. I doubt it.

June 30th day 8: As I said before, I did not want to leave. We stopped at the grocery store before the airport so everyone could stock up on that heavenly coffee and other things. Then of course the battery dies in our big van, so we all pile up in the mini-van to go the the airport. Some were not so lucky to be squashed as we were:


But we made it to our plane, we made it home. So thanks. Thank you from the bottom of my heart. I will be talking and posting about this for a while to come, so I hope you'll journey back to my messages from the wayside!

Thursday, April 14, 2011

Southern Gothic


It's interesting to me how genres can split in countless ways over time. It wasn't fifty years ago that you bought a record, and it was classified as "this." Now, we by albums that are more likely to be classified as "this, this, this, and that, and a little of that." Some people like this, some don't. There's no such thing as "rock music" anymore. It has to be classified as alternative, experimental, art rock, grunge, heavy metal, instrumental, progressive, punk, southern rock....

We have come a long way since the time of The Beatles. Life is not so simple anymore. We are genre-less.

My favorite band changes every few years, and of course this is because of what I'm drawn to in other areas of life, and of course that has to do with where I am at the time. As a writer, I'm drawn to the rawness and honesty in the stories around me, the books I read, the friends I make in my writing classes, the burnt coffee, the hidden family secrets, the struggles of my neighbors. The things I am drawn to in my personal life and the situations I find myself in when I study for my degree strangely seem to coincide with each other.

I've been a Joy Williams fan since I was 12 years old. The first CD I bought with my own money was her debut. I was sad when she disappeared for a couple years after she released her third album. Then in fall 2007, I ran across an article online that stated she had created another Myspace profile in addition to the one she maintained for personal and what little musical activity she had been sharing at the time. This one would be for her songwriting activities. So for several months, I visited these two sites to see what she had been producing. She released a few EP's, wrote for some pop artists here and there, did a handful of shows, then in early 2009, she announced that she was teaming up with some guy I'd never heard of. Two years later, almost every show of theirs is sold out. Can you put them into one category? No. The best one can do is: folk, Americana, singer/songwriter, country? We are all being influenced by so many, and so the art we produce in these times will exude traces of the many, and there rarely exists these days a musician or a singer who falls strictly into one style of music. And these beautiful artists don't care where they're put. They just want to play. And they're always sold out.

I believe that this is largely due to the fact that so many people are realizing how malnourished they are musically. For the past several years, pop radio has ruled people's ears, and sugar, though delicious and loverly, eventually makes you sick. So when someone comes along with something so organic and pure and unglistened, it pierces needs we didn't even realize we had.

These are artists who realize that the stories we tell should be honest, the tension in our relationships should not be brushed under the rug. And that's what people need to hear. We need to be okay with the fact that our stories can't be put into one box or one category or one section of the music store.

This comes as a relief to those of us who grew up in the setting that inspires many of these songs. But honestly, we're just glad that more people are starting to realize this. Some of us have already been familiar with these concepts because we have Tennessee Williams, William Faulkner, Kate Chopin, Flannery O'Connor, Eudora Welty, Truman Capote, Cormac McCarthy, Larry Brown, William Gay, Harper Lee. Writers who defined what has come to be known as "Southern Gothic". This is basically defined as stories that reject the common stereotypes of the South in the form of the happy slave, the southern belle, the God-fearing preacher, and the chivalrous gentleman, and instead write stories about what life in this environment is really like for some people. It's okay if you had an uncle who did nothing but drink his family into depression and lifelong therapy. You can tell that story. It's okay if your parents never had enough money to buy you a pair of shoes without holes in it. It's okay if you never married like your family wanted you to. Life is hard regardless of the region you call home. But at least some regions have those who are willing to advertise it on the paint-chipped front porch if it will put others at ease and make them sigh in relief that they're not the only ones, even though not all will go so far as to admit it.

My favorite quote on this literature is by Flannery herself, "anything that comes out of the South is going to be called grotesque by the Northern reader, unless it is grotesque, in which case it is going to be called realistic." This can be explained by another quote of hers: "I don't deserve any credit for turning the other cheek as my tongue is always in it."

little girl


Be thrilled, little girl
And smack your lips
From the fruitsy pops,
Lick every drip
Be frilled, little girl
Not with laces and things
With giggles and smiles
And summers and springs
Be blithe, little girl
The sun is still there
Behind the grey puffs
And the drab, dingy air
Be at ease, little girl
With tears, fears, and burns
Make a mess, if you must
Think not of your concerns
Be soft, little girl
And love all you make
Be proud of your hands
And eat lots of cake
And live, little girl
Make a splash in your world
Always keep a piece
Of the once little girl

Saturday, March 5, 2011

Just running forward

I cannot believe the entire month of February went by without a post from me! I guess you could say I have writer's block, but I cannot say that because I don't believe in writer's block. I am wondering what I could write that would be worth writing about, I am searching for something that won't be overwritten or overdone. But it's hard to find something I feel I can successfully produce. I don't believe the well of inspiration is ever dry. I just think we sometimes just lose the bucket. I want to believe that I always have something brewing in me that needs to get out, and I do.

All I know is that I always want to be better. I have a green shutter in the corner of my living room that's been there for about four months. I took it from someone's trash because I thought something creative could be done with it. I planned to nail some knobs or something on it and hang my coats and hats, but winter has gone along with the need for coats and hats, and the shutter is still sitting there.

I want to drink tea everyday at the same-ish time, from my teapot and kettle, and I still stick the teabag and water in the microwave. I want to eat more fresh foods, salads, sandwiches, soups, and all those are in my fridge and freezer in different forms, but I still grab the prepackaged, processed snacks from Walmart when I'm hungry. I want to display photos of faces more prevalently around my apartment, but they're still in an envelope in my desk. I want to write more, but the thoughts stay impermanently in my conscious self and eventually drift to my much larger subconscious before I have the chance to remember them.

I always want to be better. And I know that's a good thing, because if I were perfect, there would be no point in continuing my existence because I would be in the wrong species. I know I'm always growing, and I can never be at a point where I will never need to improve, but when I feel like I want to be better, I always feel like I'm reaching for something even though I know I will never grasp it. That's a hopeless feeling. Hopelessness is not something I want.

More than anything, I want to stop writing about myself. It is only natural for artists to internalize everything these days, and as beautiful as that can be, and as necessary as that was when the twentieth century came about, I still think the pendulum needs to go back towards the other way (preferably stopping in the middle). The world is so much bigger than that. The Romantics and the Realists saw that from two completely perspectives, and even though it was an extreme, they still have what we modernists and contemporaries don't. I wish there was a way to meld the two.

I wish I was Mary Oliver. Never have I encountered someone who could so beautifully observe and express nature in a way that so profoundly reflects the self the way she does. She is so external in her writings and yet so internal with her content. I hope that's something that can be learned, because if it is a gift, I shall find it very hard to accept if I don't have it.

So to those of you who read (and those of you who don't), I want to know you so I can write about you. And I want to learn to make steak in my skillet. And use up my spaghetti noodles and sauce. In different meals, though.

Thursday, January 20, 2011

l'art de vivre

It is a dream of mine (I have many of those in case you can't quite tell) to live in a community with artful people. And no, I don't mean a commune of painters, writers, musicians, and actors who merely want an excuse to not work. And I don't mean an early 1900's Paris neighborhood with Hemingway, Pound, Moore, Eliot, and Lawrence. I mean a hub of sorts for creative conversation, hospitality in forms of feast, making things, care for creation, music, books and developing ideas that to live as a disciple faithfully means to live in an artful and imaginative way. A community where sound spiritual counsel is readily available. Where coffee conversations take place in a home and not a Starbucks. Where a party is for celebration and not getting wasted. Where academics and the arts are not separate things. Where theology and imagination go hand in hand. Where everybody has a vegetable garden and a compost pile. Where people are looking everyday to be interested in the same things Jesus was interested in. Where our sights and goals are not for the amassing of things, but the advancement of care for hungry, lonely, criminals, strangers, and overlooked. Where music is stripped down and raw. Where nursing homes are scarce. And cemeteries aren't overgrown. Where every day someone wants to know what's going on with that family down the street who's son was arrested the other day. Where every day someone wants to know what happened in Darfur yesterday. Where learning and study are essential and encouraged. Where people can ride bikes all the time for transportation because it's fun. Where we have guests to share our food and couch every day. Where someone else's laughter is always heard in my home.